tag:blogger.com,1999:blog-9617011.post8139634348680967084..comments2024-03-27T23:45:06.093+01:00Comments on Renewable Music: Orchestration OddjobDaniel Wolfhttp://www.blogger.com/profile/09093101325234464791noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-9617011.post-85528564086989785742011-03-08T01:26:54.124+01:002011-03-08T01:26:54.124+01:00Streetcar Named Desire.Streetcar Named Desire.Charles Sherehttps://www.blogger.com/profile/10480432901356490235noreply@blogger.comtag:blogger.com,1999:blog-9617011.post-28922488226041949802011-03-07T22:18:44.034+01:002011-03-07T22:18:44.034+01:00This resonates nicely with thoughts I was having a...This resonates nicely with thoughts I was having as I was researching, and gathering raw material from, public domain films and TV episodes from the 50's for an installation last year. I heard non-tonal stuff all over the place, and wrote some things in that spirit for our piece. <br /><br />I reached a similar conclusion; that non-tonal sounds could be versatile in connection with video at times when tonality would be inappropriate.Chrishttps://www.blogger.com/profile/17291230763530848739noreply@blogger.comtag:blogger.com,1999:blog-9617011.post-91784107576052395572011-03-07T05:51:01.324+01:002011-03-07T05:51:01.324+01:00Among the other notable "non-tonal" film...Among the other notable "non-tonal" film scores is that of Leonard Rosenman for Elia Kazan's East of Eden. <br />Rosenman, whom I new quite well in California, studied <br />with Schoenberg, Sessions, and Dallapiccola. He was <br />also an accomplished though a not well known<br />composer of concert music.GORDON MUMMAhttps://www.blogger.com/profile/11393277179495528172noreply@blogger.com