For what it's worth, I've now been posting for a year. The original intention was to do a group blog, but the rest of the group never got at it, and that's regrettable. As a solo effort by someone who writes uneasily at best, has children underfoot, has been through an international move in the past year, and usually is supposed to be composing for a living instead of blogging, I haven't been able to offer posts with either the eloquence or the frequency that really invites visitors to come back at regular intervals. My apologies, but also my thanks for stopping by in spite of these deficits.
(I'm still interested in doing a group effort. It could be a good vehicle for promoting new music and the world around it. But it would have to be a group of five to seven composers who are each equally committed to posting at least once a week in order to insure that the readers keep coming back at a regular rhythm. Anyone else?)
Among the musicians in the blogoplan* that I've encountered in the past year, it's possible that I most enjoy reading Fred Himbaugh of the Fredösphere. Now, given our differences in musical taste, religion, politics, etc., I would guest that if he and I were in the same room, it's possible that we'd either turn into pillars of salt or disappear into the interdimensional void in an act of spontaneous and total cancellation. But nevermind, for one of the joys of the blogoplan is never having to be in the same room, and that gives one the luxury of reading with as much or as little distance and passion as one wants. Fred Himbaugh really is a musician who likes to write about music more than himself, and does so always with good humor. That's plain decent.
Moreover, he likes dirigibles and cooking, two interest that are infinitely recommendable in my books.
*blogoplan: the set of blogs known to flat-earthers.
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