A displaced Californian composer writes about music made for the long while & the world around that music. ~ The avant-garde is flexibility of mind. — John Cage ~ ...composition is only a very small thing, taken as a part of music as a whole, and it really shouldn't be separated from music making in general. — Douglas Leedy ~ My God, what has sound got to do with music! — Charles Ives
Friday, July 29, 2005
Pauline Oliveros: In Memoriam Nikola Tesla, Cosmic Engineer (1969): commissioned as accompaniment to Merce Cunningham's dance Canfield, Oliveros wrote a piece where the musicians of the company (Tudor, Mumma) uses the theatre itself as an instrument. The musicians discuss, then venture out of the pit (1969: remember "extravehicular activity"?) to test and measure the room, and finally, the hall is "played" with a sweep of low frequency oscillators in a search for a primary room resonance frequency.
Posted by Daniel Wolf at 4:07 PM No comments:
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